I feel they are like the incontinent wetness of the debile . Trickling , they taunt down my face They are no weeping of mine , in front of her . I dismiss them , damn against them - let them be g hotshot (27 . In this disceptation it is shown with what gigantic magnitude Hagar cares of how others perceive her . In her void she extracts , Oh , I was the one , all right , tossing my black mane refusefully , to that degree never certain the young men had sight . I knew my header , no doubt , but the mind changed ein truth minute , one instant feeling d with what I knew and who I was and where I lived , the next instant consigning the brick hall to endocarp . (39 . Hagar finds a demonic comfort in her disdain , a place where she is familiar , and yet mute further she gives her feelings , overcharge was my wil derness , and the demon that led me there was reverence . I was alone , never anything else and never free , for I carried my bondage deep down me , and they spread out from me and fettered all I touched (261 . So , even though she knew how far pride would cause her to fall , she reveled in it , patronage the chains she speaks of , and the buyback she seeks later in life , she enjoyed her prideful self , though it set her sincerely in despondence Even musical composition Hagar is in her redemptive state in the novel , she is still persistent in her vanity , still `shackled to it , as can be seen in the lines , Oh , I am immutable , unregenerate . I go on speaking in the same way , ceaselessly , and the same touchiness rises within me at the slightest thing (262 . It seems she finds it very difficult to change , to change , to differentiate between buyback and simply confession . In a...If you want to get a full essay, order it on our website: BestEssayCheap.com
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